07 AprThe Human Tradition in Modern Brazil


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The Human Tradition in Modern Brazil makes the last two centuries of Brazilian history come alive through the stories of mostly non-elite individuals. The pieces in this lively collection address how people experienced historical continuities and changes by exploring how they related to the rise of Brazilian national identity and the emergence of a national state. By including a broad array of historical actors from different regions, ethnicities, occu-pations, races, genders, and eras, The Human Tradition in Modern Brazil brings a human dimension to major economic, political, cultural, and social transitions. While many books on modern Brazilian history emphasize the growth of the state and the oscillations of nationalist sentiment by generalizing about groups of undifferentiated people such as slaves, industrial workers, army officers, Indians, and clerics, The Human Tradition in Modern Brazil brings a personal perspective to broad historical events and trends. Because these perspectives do not always fit with the generalizations made about the predominant attitudes, values, and beliefs of different groups, they bring a welcomed complexity to the understanding of Brazilian society and history. These original and gripping vignettes of life and society in Brazil are sure to engage readers with its colorful stories of Brazilians throughout the past.

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21 MarBrazil Built: The Architecture of the Modern Movement in Brazil


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A welcome addition to the history of the Modern Movement, this new book is a fully illustrated description of modern architecture in Brazil from 1929 to 1959. This unique presentation of the major Modern buildings of Brazil will be of interest to architects, historians and for a non-specialist audience worldwide.

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28 DecBrazil: Modern Architectures in History


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Set against a backdrop of breathtaking natural beauty, Brazil’s striking modernist architecture has long garnered international acclaim. But these well-known works are not fully reflective of the built environment of Brazil, and with this volume, Richard Williams unearths the rich architectural heritage of Brazil.

Spanning from 1945 through today, the book examines Brazilian architecture beyond the works of renowned architects such as Oscar Niemeyer and the “Carioca” architects of Rio de Janeiro. Williams investigates issues such as the use of historic architecture, the importance of leisure and luxury, the role of the favela as a backdrop and inspiration for development, and the rapid growth of cities. From the designated world heritage site of Brasilia—a capital city that was planned from the ground up—to the installation work of artists such as Hélio Oiticica, Brazil delves into the origins and far-reaching influence of Brazil’s architectural modernism.

At a moment when Latin America is of increasing importance in global business and culture, Brazil will be an essential read for all scholars of architecture and Latin American history.

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09 NovHello, Hello Brazil: Popular Music in the Making of Modern Brazil


Product Description
“Hello, hello Brazil” was the standard greeting Brazilian radio announcers of the 1930s used to welcome their audience into an expanding cultural marketplace.  New genres like samba and repackaged older ones like choro served as the currency in this marketplace, minted in the capital in Rio de Janeiro and circulated nationally by the burgeoning recording and broadcasting industries. Bryan McCann chronicles the flourishing of Brazilian popular music between the 1920s and the 1950s. Through analysis of the competing projects of composers, producers, bureaucrats, and fans, he shows that Brazilians alternately envisioned popular music as the foundation for a unified national culture and used it as a tool to probe racial and regional divisions.

McCann explores the links between the growth of the culture industry, rapid industrialization, and the rise and fall of Getúlio Vargas’s Estado Novo dictatorship. He argues that these processes opened a window of opportunity for the creation of enduring cultural patterns and demonstrates that the understandings of popular music cemented in the mid–twentieth century continue to structure Brazilian cultural life in the early twenty-first.

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